jennifer jacobs ucsb

JENNIFER JACOBS Updated: December 9th, 2022. His contribution to the digital media field since the early stages of its formation into a discipline in the early 1990s has been in intersecting cultural content with data processing as a means of creating new forms of aesthetic representations and socio-cultural narrative experiences. 0000007725 00000 n 293: 0000007962 00000 n Tim Dewar He co-directs the "Four Eyes Laboratory" conducting research in the four I's of Imaging, Interaction, and Innovative Interfaces. Santa Barbara, CA 93106. MFA San Francisco Art Institute. He taught electronic music composition at Harvard University and sound synthesis techniques at the University of Naples Federico II. The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Defining this emerging field by advancing foundations and applications. From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). %PDF-1.4 % CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. GH Jacobs, JA Fenwick, GA Williams. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. All rights reserved. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. University of California, Santa Barbara. Marcos Novak is a pioneer in the field of virtual architecture. 0000058432 00000 n of Chicago Press). Matthew Turk is current President of the Toyota Technological Institute at Chicago, an independent philanthropically endowed graduate research institute that focuses on computer science theory and artificial intelligence. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference. Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. The Allosphere, a unique instrument for interactive real-time scientific visualization, has been used in scientific collaborations across scales from the atomic, through the nano to the biological. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. jscalzo@ucsb.edu At UChicago CS, we welcome students of all backgrounds and identities. She also received an M.F.A. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. trailer <]/Prev 263262/XRefStm 1180>> startxref 0 %%EOF 754 0 obj <>stream Assistant Professor (Computational Craft and Haptic Media) He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. Frustrated Students Desperate for Solutions Amid UCSB Housing Crisis Facebook; Instagram; LinkedIn; YouTube; University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Media Arts and Technology, UC Santa Barbara 0000000856 00000 n She completed a masters of science in the High-Low Tech group and an . Since 2015, he has hosted The Unknown Territories, a weekly radio broadcast about contemporary science and experimental music. 805.893.3412 He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. 0000001375 00000 n University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.mat.ucsb.edu Research Interests . He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . He was appointed Director of Pedagogy at Les Ateliers UPIC (later CCMIX) and Lecturer in the Music Department of the Universit Paris 8. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. Although computational tools and computer programs are used more now than ever it can be difficult to fully integrate technology into art and design because of how different each artist is. Jennifer Jacobs - ISEA Symposium Archives In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. Gerald Jacobs received a B.A. 0000007219 00000 n 0000055655 00000 n 0000001885 00000 n Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. From 1994-2010 he was a member of the International Academy of Electroacoustic Music in Bourges, France. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. Jennifer Jacobs is an American journalist who is currently a senior White House correspondent for Bloomberg News. Natalie Holdren Regents of the University of California. Department of Music. Verified. Directs the Experimental Visualization Lab in Media Arts & Technology, Office: 2211 Elings Hall, lab: 2611 Elings Hall. She joined the UCSB faculty in 2001 after receiving her M.S. He has published, lectured and exhibited his work internationally. Phone: (805) 893-2968. Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. 1306 0 obj <> endobj xref BA University of Oregon, Computer Science, Media Arts and Technology. Expressive Computation Lab. Public figure. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Born in 1945, Clarence Barlow obtained a science degree at Calcutta University in 1965 and a concert pianist diploma from Trinity College of Music London the same year. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream He attended Purdue University from 1992 - 1996, where he graduated with a B.S. Professor Her work is in the permanent collection at the Los Angeles County Museum of Art. His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. Cc bi vit c nh du. Jerry Jacobs | Psychological & Brain Sciences | UCSB Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. sarahjacobs@ucsb.edu Tobias Hllerer. Trained in computer science, design, and fine art, Jacobs received her Ph.D. The new paradigm of computing, harnessing quantum physics. PDF JENNIFER JACOBS Updated: Oct 21st, 2019 - Massachusetts Institute of H thng khng th thc hin thao tc ngay by gi. 0000003066 00000 n Professor Jennifer Jacobs. Department of English. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. Santa Barbara CA 93106-9490. Each department, from Product Development to Customer Care, devotes their exceptional talent and skills to ensure the highest standards are met. She works across the fields of computational art and design, human computer interaction, and systems engineering. He received his Ph.D. in Electrical Engineering in June 2006, advised by Dr. Pat Hanrahan. He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. His studio in Beijing specializes in live music performance over highspeed networks. Faculty. Assistant Professor of Media Arts and Technology, University of California Santa Barbara. She also received an M.F.A. 0000000016 00000 n In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. Office: room 2205. Santa Barbara CA 93106-9490, 2022 The Regents of the University of California, All rights reserved.Terms of Use Accessibility Non-Discrimination Policy Title IX Feedback Land Acknowledgement, Department of Counseling, Clinical, & School Psychology, Center for School-Based Youth Development, Social Tools and Rules for Teens/Transitions (START) Programs, Parent-Child Interaction Therapy (PCIT) Clinic, The Gevirtz School (GGSE) - UC Santa Barbara, Hosford Counseling & Psychological Services Clinic, CA Teacher Education Research & Improvement Network, International Center for School-Based Youth Development, Dean's Lecture Series on Education, Diversity & Democracy, Harding University Partnership School Community Resource Center, From Ocean & El Colegio Newsletter Archive. Office: ED 3243, Mathematics His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. He then attended Stanford University where he received his M.S. She is the founder of Uproot, UCSB's first BIPOC art coalition. Santa Barbara, California, United States. Cc bi vit sau y c hp nht trong Scholar. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Many of her rides had remained available until a class purge in August 2020 . Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . safeguard properties lawsuit 2017; syl johnson chad ochocinco father Since that time he has taught at Ohio State, University of Texas Austin, the Architecture program at UCLA, the Digital Media program at UCLA, and the Art Center College of Design, in Pasadena. Assistant Professor College of Engineering - UC Santa Barbara. Sarah Jacobs Department of Germanic and Slavic Studies. Jennifer's research is situated within the context of teacher education. 320: 1983: Cone-based vision of rats for ultraviolet and visible lights. MS, Geography, University of Toronto, Canada Recently published from Univ. His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. Hy th li sau. 0000001761 00000 n 4312 Bren Hall, UC Santa Barbara . MFA Computers in Fine Arts, CADRE, San Jose State University. 735 20 Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. Copyright 2023. 735 0 obj <> endobj xref PhD Massachusetts Institute of Technology Faculty & Staff. in Electrical Engineering in 1998 in the area of electron-beam lithography. Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. Faculty & Staff | UC Santa Barbara Early life and education. 0000001921 00000 n Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Media Arts and Technology. He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Jennifer Jacobs. People | Four Eyes Lab - UC Santa Barbara From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). Technical Director, AlloSphere Research Facility. His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. Department of Computer Science. Department of Art Since 2017, he is a research fellow at the Institut des mines-telecom ParisTech, Paris, France and the iCinema Lab, at the University of New South Wales, Sydney, Australia. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group.